Sometimes the Internet Works For Us

Yesterday, I visited YouTube to see what the algorithms had for me and saw this video:

Brian Wilson – Don’t Talk (Put Your Head On My Shoulder) (Demo Vocal Tracks)”

It’s 2 1/2 minutes of Brian and I guess some of the other Beach Boys performing background vocals for a beautiful song on the Pet Sounds album, my all-time favorite (and #2 in the recent Rolling Stone Top 500 — “Who’s gonna hear this shit?” Beach Boys singer Mike Love asked. . . ).

This morning, the video popped up again. While I was listening, I noticed a link to a song by Fleet Foxes, one of my favorite groups:

Fleet Foxes – Shore (Full Album) 2020 

Fleet Foxes has a new album out? I didn’t know. So I played the first track:

“Wading In Waist-High Water”

It’s beautiful. Fleet Foxes often remind me of the Beach Boys. I wondered how the new album, released in September, was being received. A search for “Fleet Foxes Shore” turned up a review from Pitchfork magazine.

On his fourth album, singer-songwriter Robin Pecknold refines and hones Fleet Foxes’ crisp folk-rock sound, crafting another musically adventurous album that is warm and newly full of grace. 

They gave the album an 8.3, which sounds high.  

As I was looking at the review, I saw this:

Elsewhere, there are explicit nods to contemporary classical music, as on “Jara,” which features hocketing by Meara O’Reilly, and “Cradling Mother, Cradling Woman,” which pairs O’Reilly with a snippet of Brian Wilson counting to resemble Philip Glass’ Einstein on the Beach, and, in its sampling, also recalls the early work of Steve Reich. 

A snippet of Brian Wilson counting? Well, I had to click on that.

Surprise, surprise! It turned out to be:

Brian Wilson – Don’t Talk (Put Your Head On My Shoulder) (Demo Vocal Tracks)”

Yes, YouTube had twice recommended one of the thousands of Beach Boys/Brian Wilson videos they offer, of which I’ve watched many, and that took me to somebody else’s album, which uses part of that particular Pet Sounds session, which is in a YouTube video that’s probably getting attention because Robin Pecknold borrowed Brian Wilson counting “one-two-three-four” for his new Fleet Foxes album, Shore.

In the old days, only ten years ago, I might have quickly ordered the new Fleet Foxes CD. The internet would have succeeded in selling me something. But since CD technology is fast disappearing and I almost never play one except in our 16-year old car, there’s no rush. I can play the whole thing on Spotify and see if I want a copy for the car. 

Was I manipulated? Sure. Were a few more bytes of my data stored away in Google’s innards, only to be mined for heaven knows what purposes? Yeah. But sometimes it’s nice to be a tiny cog in a vast machine, even something to be a little bit thankful for.

Take a Visual Break from Reality with the Beach Boys

Someone going by the name Summertime Blooz has a YouTube channel that features “amazing music accompanied by colorful and imaginative slideshows”. That is an accurate description. Actually, it’s putting it mildly.

I count 28 videos on his channel devoted to the Beach Boys or Brian Wilson (there are a few for other artists as well). Here are three with some of Mr. Blooz’s comments.

This is a slideshow video for the Beach Boys’ 1964 classic “The Warmth Of The Sun”. I made this video tribute because I think it is probably the most beautiful song in the Beach Boys catalog (sorry, “God Only Knows”).

Brian Wilson and (the unpleasant) Mike Love wrote it in the wake of the 1963 Kennedy assassination. The graphics truly evoke Los Angeles and Southern California from years ago.

… a video for the Beach Boys’ 1966 song “I Just Wasn’t Made For These Times” from their album masterpiece Pet Sounds. I think the themes of feeling alienated and not fitting in are universal and timeless. In making this video I gained an even greater appreciation of the intricacies of the record’s production and believe it’s truly one of the finest and most daring productions Brian Wilson ever created.

“I Just Wasn’t Made For These Times” is the climax to Pet Sounds, appearing near the end of what used to be side 2.

… a slideshow set to my edited version of the Beach Boys’ “Wind Chimes”, recorded in 1966 for the legendary, aborted Smile album. All thanks to Brian Wilson and the Beach Boys for the awesome music. Please enjoy responsibly.

More than one version of “Wind Chimes” is available. This is the older, longer version. Keep listening when the video fades to black about 3 minutes in.

Visit Summertime Blooz’s YouTube channel for more, including 17 videos devoted to Smile.