I’ll quote a few blurbs from the back of the dust jacket and then add a few thoughts.
A widescreen, meticulously researched account of how Los Angeles — the seedbed of surf pop and folk rock — became the epicenter of American music in the 1960s. McKeen follows the thread from the Beach Boys’ sunny innocence to Manson’s noir horrors — via Phil Spector, Jim Morrison, and a supporting cast of hundreds — and brings the music of the City of Angeles brilliant to life. (Barney Hoskyns, author of Waiting for the Sun and Hotel California)
Everybody Had an Ocean offers a detailed snapshot of the creative fertility, debauchery and importance of a signal moment in pop music history. Highly recommended. (Charles Granata, author of Wouldn’t It Be Nice)
… a fascinating, hypnotic look at the underside of the California dream. With smooth prose and keen reporting, William McKeen peels back the facade of peace and love and thoroughly examines the dark heart behind a generation of music… (Michael Connelly)
… Once again, the Beach Boys reign supreme. (Douglas Brinkley)
As the title suggests, Everybody Had an Ocean concentrates on the Beach Boys, especially Brian and Dennis Wilson. But all kinds of musicians appear, including Bob Dylan and the Beatles. If you already know a lot about a particular musician or group, you probably won’t find much new here. The main thing I learned about the Beach Boys was that Dennis Wilson and Charles Manson spent even more time together than I realized. On the other hand, I learned quite a bit about Jan and Dean, the Mamas and the Papas, the Byrds and the Doors (as well as the Manson “family”).
The book’s prose is not “smooth”, however. The author often resorts to distracting clichés and slang expressions, especially when he’s discussing who was having sex with who. In general, it could have used a better editor. But if you’re interested in the music of that time and place, Everybody Had an Ocean is worth reading.