Something Joyful for a Change

Maybe I should put different kinds of things on this blog. Maybe I will. But with our ongoing crisis — I don’t mean the virus, I mean You Know Who in the White House — it’s hard to feel like anything else is ever worth mentioning.

So I was killing time on YouTube this morning and their algorithm(s) suggested one of those “Listening to Something for the First Time” videos. The idea is that someone who has never heard a song that’s familiar to some of us, or most of us, hears that song for the first time and immediately gives their reaction. Often, it’s a song an older generation knows very well. Or it’s music the person in the video wouldn’t be expected to appreciate.

I’ve never watched one of these videos all the way through. But the one that popped up today was a young black man hearing the Beach Boys’ “Don’t Worry, Baby” for the first time. I was a little worried that he’d think it silly or old-fashioned (it’s from 1964) or that he’d view some of the lyrics as dumb. It is, after all, a combination love song/car song — the guy being in love with his girl, and worried about a drag race — that, in my opinion, is wonderful, even sublime.

Check out his reaction:

About the song.

Two Times the Fendertones Have Replicated the Beach Boys

The Fendertones are a group of singers and musicians who get together every so often to recreate recordings by the Beach Boys. Their performances not only sound great, they reveal how many voices and instruments Brian Wilson wove together when he was making classic records in the 60s.

First up, “Kiss Me Baby”, a beautiful song with an unfortunate title. It’s from The Beach Boys Today!, the group’s eighth studio album, released in March 1965. Wikipedia says “the album signaled a departure from their previous records with its orchestral approach, intimate subject matter, and abandonment of themes related to surfing, cars or superficial love”. It’s one of their best albums and “Kiss Me Baby” is one of their best songs. Here are the Fendertones doing it only forty-nine years after The Beach Boys Today! (I see I posted this video five years ago. I must like it a lot.)

Next is “Surf’s Up”. Brian Wilson and Van Dyke Parks wrote this non-surfing song for the Smile album, which was supposed to be finished in 1967. The Fendertones recreate it with the help of two actual (aged) Beach Boys and some of the non-Beach Boys who helped Wilson finish Smile in 2004. That album, Brian Wilson Presents Smile, scratched a 37-year-old itch and was greeted with euphoric reviews.

Everybody Had An Ocean: Music and Mayhem in 1960s Los Angeles by William McKeen

I’ll quote a few blurbs from the back of the dust jacket and then add a few thoughts.

A widescreen, meticulously researched account of how Los Angeles — the seedbed of surf pop and folk rock — became the epicenter of American music in the 1960s. McKeen follows the thread from the Beach Boys’ sunny innocence to Manson’s noir horrors — via Phil Spector, Jim Morrison, and a supporting cast of hundreds — and brings the music of the City of Angeles brilliant to life. (Barney Hoskyns, author of Waiting for the Sun and Hotel California)

Everybody Had an Ocean offers a detailed snapshot of the creative fertility, debauchery and importance of a signal moment in pop music history. Highly recommended. (Charles Granata, author of Wouldn’t It Be Nice)

… a fascinating, hypnotic look at the underside of the California dream. With smooth prose and keen reporting, William McKeen peels back the facade of peace and love and thoroughly examines the dark heart behind a generation of music… (Michael Connelly)

… Once again, the Beach Boys reign supreme. (Douglas Brinkley)

As the title suggests, Everybody Had an Ocean concentrates on the Beach Boys, especially Brian and Dennis Wilson. But all kinds of musicians appear, including Bob Dylan and the Beatles. If you already know a lot about a particular musician or group, you probably won’t find much new here. The main thing I learned about the Beach Boys was that Dennis Wilson and Charles Manson spent even more time together than I realized. On the other hand, I learned quite a bit about Jan and Dean, the Mamas and the Papas, the Byrds and the Doors (as well as the Manson “family”).

The book’s prose is not “smooth”, however. The author often resorts to distracting clichés and slang expressions, especially when he’s discussing who was having sex with who. In general, it could have used a better editor. But if you’re interested in the music of that time and place, Everybody Had an Ocean is worth reading.

The Battle of the Bands

Brian Wilson has a website. On that site, there are music lovers who have been playing a game for the past nine years. It’s called “The Battle of the Bands”. Someone posts videos for four songs. Usually there is a theme that ties the songs together. People then rank the four songs. They also post their own videos. There is discussion. It’s almost always very polite. Each battle lasts one week. You have to register on the site in order to participate. It’s free and nobody will bother you with annoying advertisements or solicitations. The whole thing is kind of fun.

Oh, one of the four songs has to have a connection to Brian Wilson or the Beach Boys. 

This week’s battle is called “It’s Over”. These are the four songs.

The Everly Brothers — “Crying inthe Rain” (1962). Co-written by Carole King.

The Miracles — “Ooo Baby Baby”(1965). Co-written, produced and sung by Smokey Robinson.

Neil Young — “Like a Hurricane”(1977). This is a live version from 1982. The studio version is equally long. 

The Beach Boys — “I Just Wasn’tMade For These Times” (1966). Co-written with Tony Asher. It’sthe end of innocence? optimism? faith in one’s fellow human beings?


In case you’d like to visit and maybe even participate, please go here. The people who do participate are very nice and will thank you for showing up.

(Plus, we rarely discuss politics. Although it’s sometimes hard to resist, considering the present situation.)

Even When You Want To Back Away From It

I’ve been working on a post that explains why I want to back away from our political crisis, but it’s been slow going. Meanwhile, an exchange that appeared on Brian Wilson’s community forum might be of interest.

First, some background. Brian Wilson (my favorite musician, who is best known as the creative force behind the Beach Boys) has a website that includes a forum mainly intended for fans to discuss his music and other aspects of his career. Occasionally, however, other topics come up.

A few days ago, a person who apparently lives in Germany and goes by the name “Cantina Margarita” (a reference to the song “Heroes and Villains”) announced that he or she was leaving the board after 10 years of participation:

I’d like to thank you all for some 10 years of being allowed to be a part of this community. Now it’s time to say goodbye because I feel I can’t continue having musical discussions on a US music forum, suspecting all the time to be talking to Donald Trump voters.

I can’t go on discussing music and concerts, trying to ignore the subject. It’s a very ugly and dangerous fly [???], and I’m used to expressing my opinion quite frankly. I can’t do this here without spoiling BW’s board, and this is not something I want this forum to suffer….

Keep having a nice time here, I just don’t feel like being in any longer.

My account is just being cancelled.

Maybe, only maybe, I’ll return after the next POTUS election, under a new nick. American politics is just too important to the rest of the world to ignore it.

[wave]

As you’d expect, there were a variety of responses to this post. Some people thought it was an overreaction. Why stop communicating with Americans in general just because millions of us voted a certain way? For example:

I am puzzled by this too.  I don’t like the way your election went, so I cannot talk to an entire country’s people?

I’m trying to look for an interpretation of this that does not seem like holding your breath until your face turns blue, or ‘cutting off your ear to spite your face’, etc., but I am failing.

Since Cantina Margarita was no longer available, well, it was a dirty job, but somebody had to…

How about this interpretation:

It matters to the whole world when America chooses a new president. Yet millions of Americans chose a person who is manifestly unfit for the job and whose presence in the White House constitutes a clear and present danger. I am so damned angry and worried about this that it’s hard to keep quiet about it, especially when I communicate with Americans. And since Americans who post here are probably among those responsible for putting this person in office, I’d rather not interact with them. Sadly, since I don’t know how people here voted (or if they chose not to vote, even in such an important election), I’m going to leave this board rather than have pleasant discussions with these people about Brian Wilson, given how I feel about the decision they made. Maybe I’ll be back when your country comes to its senses and it’s reasonable to assume that the person I’m communicating with didn’t make such a horrible decision, putting themselves and others around the world at serious risk.

I know this may sound extreme, but this person being the American president is far more extreme. None of us should accept this situation and go about our business in the usual way.

By the way, a powerful member of the president’s party expressed deep concerns about the president this week:

Senator Bob Corker, the Republican chairman of the Senate Foreign Relations Committee, charged in an interview on Sunday that President Trump was treating his office like “a reality show,” with reckless threats toward other countries that could set the nation “on the path to World War III.”

In an extraordinary rebuke of a president of his own party, Mr. Corker said he was alarmed about a president who acts “like he’s doing ‘The Apprentice’ [a TV show] or something.”

“He concerns me,” Mr. Corker added. “He would have to concern anyone who cares about our nation.”

… All but inviting his colleagues to join him in speaking out about the president, Mr. Corker said his concerns about Mr. Trump were shared by nearly every Senate Republican.

“Look, except for a few people, the vast majority of our caucus understands what we’re dealing with here,” he said, adding that “of course they understand the volatility that we’re dealing with and the tremendous amount of work that it takes by people around him to keep him in the middle of the road.”

So far, other Senate Republicans have declined Sen. Corker’s implied invitation to share their thoughts. However, a Republican congressman, Mark Meadows, did say “it’s easy to be bold when you’re not coming back”, referring to the fact that Sen. Corker won’t seek re-election in 2018. I suppose that Rep. Meadows does want to be re-elected, so being bold is out of the question.

Now back to backing away from the current crisis.