How Fascism Works: The Politics of Us and Them by Jason Stanley

Jason Stanley is a philosophy professor at Yale. He previously published a book called How Propaganda Works. His new book is a guidebook to fascism. He doesn’t spend much time on its history. His purpose is to explain how fascism and similar approaches to politics work.

The mechanisms of fascist politics all build on and support one another. They weave a myth of a distinction between “us” and “them”, based on a romanticized fictional past featuring “us” and no “them”, and supported by a corrupt liberal elite, who take our hard-earned money and threaten our traditions. “They” are lazy criminals on whom freedom would be wasted (and who don’t deserve it, in any case). “They” mask their destructive goals with the language of liberalism or “social justice”, and are out to destroy our culture … and make “us” weak. “We” are industrious and law-abiding … “they” are lazy, perverse, corrupt and decadent [188].

Among the mechanisms Stanley cites are: the idea that some kinds of people are inherently better than others; the creation of a mythic past; the widespread use of propaganda; the promotion of conspiracy theories; the use of contradictory statements to demonstrate power and obscure reality; anti-intellectualism; encouraging feelings of victimhood among the majority population; the celebration of law and order and military might; and respect for “traditional family values”.

Stanley doesn’t spend much time on the economic aspects of fascism, except for fascism’s general opposition to labor unions. Perhaps it’s enough to say that fascist leaders are authoritarians and wield extraordinary power over economic affairs. One possible problem with the book is that his use of contemporary examples may suggest that there is no significant difference between fascism and contemporary conservatism (or whatever we should call the reactionary politics of today’s Republican Party). His point, however, is that contemporary “conservatives”, in particular the current occupant of the White House, exhibit behavior that matches many of the distinctive behaviors of history’s best-known fascists.

Finally, one aspect of fascism that sets it apart is what Stanley calls the “FĂŒhrer Principle”:

The father, in fascist ideology, is the leader of the family; the CEO is the leader of the business; the authoritarian leader is the father or CEO of the state. When voters in a democratic society yearn for a CEO as president, they are responding to their own implicit fascist impulses.

The pull of fascist politics is powerful. It simplifies human existence, gives us an object, a “them” whose supposed [defects highlight] our own virtue and discipline, encourages us t oidentify with a forceful leader who helps usmakese sense of the world, whose bluntness regarding the “undeserving” people in the world is refreshing…. If the CEO is tough-talking and cares little for democratic institutions, even denigrates them, so much the better. Fascist politics preys on the human frailty that makes our own suffering seem bearable if we know that those we look down upon are being made to suffer more [183].

 

Let Them Eat Cake, But Raise Their Taxes

Newly-elected Alexandra Ocasio-Cortez (aka AOC) is the youngest person in Congress. She is becoming very well-known. Last week, she was asked about funding the Green New Deal, the plan to eliminate U.S. carbon emissions and move away from fossil fuels within ten years. This is what she said:

Once you get to the tippie-tops, on your $10 millionth dollar, sometimes you see tax rates as high as 60% or 70%. That doesn’t mean all $10 million dollars are taxed at an extremely high rate. But it means that as you climb up this ladder, you should be contributing more.

Right-wingers immediately screamed that a tax rate that high would be the equivalent of slavery. They didn’t bother to point out that she was referring to the “marginal” tax rate, the percentage at which income over a certain threshold is taxed. That’s very different from taking 60% or 70% of someone’s entire income.

The economist Paul Krugman explains why the 60% or 70% marginal rate is an excellent idea:

The right’s denunciation of AOC’s “insane” policy ideas serves as a very good reminder of who is actually insane.

The controversy of the moment involves AOC’s advocacy of a tax rate of 70-80 percent on very high incomes, which is obviously crazy, right? I mean, who thinks that makes sense? Only ignorant people like 
 um, Peter Diamond, Nobel laureate in economics and arguably the world’s leading expert on public finance…. And it’s a policy nobody has ever implemented, aside from 
 the United States, for 35 years after World War II — including the most successful period of economic growth in our history.

To be more specific, Diamond, in work with Emmanuel Saez — one of our leading experts on inequality — estimated the optimal top tax rateto be 73 percent. Some put it higher: Christina Romer, top macroeconomist and former head of President Obama’s Council of Economic Advisers, estimates it at more than 80 percent.[

Where do these numbers come from? Underlying the Diamond-Saez analysis are two propositions: Diminishing marginal utility and competitive markets.

Diminishing marginal utility [i.e. the value of something at the margin] is the common-sense notion that an extra dollar is worth a lot less in satisfaction to people with very high incomes than to those with low incomes. Give a family with an annual income of $20,000 an extra $1,000 and it will make a big difference to their lives. Give a guy who makes $1 million an extra thousand and he’ll barely notice it.

What this implies for economic policy is that we shouldn’t care what a policy does to the incomes of the very rich. A policy that makes the rich a bit poorer will affect only a handful of people, and will barely affect their life satisfaction, since they will still be able to buy whatever they want.

So why not tax them at 100 percent? The answer is that this would eliminate any incentive to do whatever it is they do to earn that much money, which would hurt the economy. In other words, tax policy toward the rich should have nothing to do with the interests of the rich, per se, but should only be concerned with how incentive effects change the behavior of the rich, and how this affects the rest of the population.

But here’s where competitive markets come in. In a perfectly competitive economy, with no monopoly power or other distortions — which is the kind of economy conservatives want us to believe we have — everyone gets paid his or her marginal product. That is, if you get paid $1000 an hour, it’s because each extra hour you work adds $1000 worth to the economy’s output.

In that case, however, why do we care how hard the rich work? If a rich man works an extra hour, adding $1000 to the economy, but gets paid $1000 for his efforts, the combined income of everyone else doesn’t change, does it? Ah, but it does — because he pays taxes on that extra $1000. So the social benefit from getting high-income individuals to work a bit harder is the tax revenue generated by that extra effort — and conversely the cost of their working less is the reduction in the taxes they pay.

Or to put it a bit more succinctly, when taxing the rich, all we should care about is how much revenue we raise. The optimal tax rate on people with very high incomes is the rate that raises the maximum possible revenue.

And that’s something we can estimate, given evidence on how responsive the pre-tax income of the wealthy actually is to tax rates. As I said, Diamond and Saez put the optimal rate at 73 percent, Romer at over 80 percent — which is consistent with what AOC said.

An aside: What if we take into account the reality that markets aren’t perfectly competitive, that there’s a lot of monopoly power out there? The answer is that this almost surely makes the case for even higher tax rates, since high-income people presumably get a lot of those monopoly rents.

So AOC, far from showing her craziness, is fully in line with serious economic research. (I hear that she’s been talking to some very good economists.) Her critics, on the other hand, do indeed have crazy policy ideas — and tax policy is at the heart of the crazy.

You see, Republicans almost universally advocate low taxes on the wealthy, based on the claim that tax cuts at the top will have huge beneficial effects on the economy. This claim rests on research by 
 well, nobody. There isn’t any body of serious work supporting G.O.P. tax ideas, because the evidence is overwhelmingly against those ideas.

Increasing marginal rates as income rises is called “progressive” taxation. It’s fair and practical. Republicans are against it, preferring a “flat” tax, where all income is taxed at the same rate. A flat tax let’s the rich keep more of their income. They say it’s fair and simple, but that’s not why they’re for it.

Start the Impeachment Process Now, Part 2

Rep. Rashida Tlaib, now famous for recently proclaiming “let’s impeach the motherfucker”, and political activist John Bonifaz present the case for the House of Representatives to immediately begin the impeachment process:

[The president] is a direct and serious threat to our country. On an almost daily basis, he attacks our Constitution, our democracy, the rule of law and the people who are in this country. His conduct has created a constitutional crisis that we must confront now. 

The Framers of the Constitution designed a remedy to address such a constitutional crisis: impeachment. Through the impeachment clause, they sought to ensure that we would have the power, through our elected representatives in Congress, to protect the country by removing a lawless president from the Oval Office.

We already have overwhelming evidence that the president has committed impeachable offenses, including, just to name a few: obstructing justice; violating the emoluments clause; abusing the pardon power; directing or seeking to direct law enforcement to prosecute political adversaries for improper purposes; advocating illegal violence and undermining equal protection of the laws; ordering the cruel and unconstitutional imprisonment of children and their families at the southern border; and conspiring to illegally influence the 2016 election through a series of hush money payments.

Whether the president was directly involved in a conspiracy with the Russian government to interfere with the 2016 election remains the subject of Special Counsel Robert Mueller’s investigation. But we do not need to wait on the outcome of that criminal investigation before moving forward now with an inquiry in the U.S. House of Representatives on whether the president has committed impeachable “high crimes and misdemeanors” against the state: abuse of power and abuse of the public trust.

Those who say we must wait for Special Counsel Mueller to complete his criminal investigation before Congress can start any impeachment proceedings ignore this crucial distinction. There is no requirement whatsoever that a president be charged with or be convicted of a crime before Congress can impeach him. They also ignore the fact that many of the impeachable offenses committed by this president are beyond the scope of the special counsel’s investigation.

We are also now hearing the dangerous claim that initiating impeachment proceedings against this president is politically unwise and that, instead, the focus should now shift to holding the president accountable via the 2020 election. Such a claim places partisan gamesmanship over our country and our most vulnerable at this perilous moment in our nation’s history. Members of Congress have a sworn duty to preserve our Constitution.  Leaving a lawless president in office for political points would be abandoning that duty.

This is not just about [the president]. This is about all of us. What should we be as a nation? Who should we be as a people? In the face of this constitutional crisis, we must rise. We must rise to defend our Constitution, to defend our democracy, and to defend that bedrock principle that no one is above the law, not even the President of the United States. Each passing day brings more pain for the people most directly hurt by this president, and these are days we simply cannot get back. The time for impeachment proceedings is now.

Begin to Impeach the Motherfucker

Leading Democrats in Congress say they should wait for the Mueller investigation’s findings before talking about impeachment, even though they don’t know what the Mueller findings will be or when the investigation will end. Meanwhile, we have a president who is unfit to serve another day.

David Leonhardt of the NY Times makes the case for impeaching him now:

The presidential oath of office contains 35 words and one core promise: to “preserve, protect and defend the Constitution of the United States.” Since virtually the moment [the president] took that oath two years ago, he has been violating it.

He has repeatedly put his own interests above those of the country. He has used the presidency to promote his businesses. He has accepted financial gifts from foreign countries. He has lied to the American people about his relationship with a hostile foreign government. He has tolerated cabinet officials who use their position to enrich themselves.

To shield himself from accountability for all of this — and for his unscrupulous presidential campaign — he has set out to undermine the American system of checks and balances. He has called for the prosecution of his political enemies and the protection of his allies. He has attempted to obstruct justice. He has tried to shake the public’s confidence in one democratic institution after another, including the press, federal law enforcement and the federal judiciary.

The unrelenting chaos that Trump creates can sometimes obscure the big picture. But the big picture is simple: The United States has never had a president as demonstrably unfit for the office as Trump. And it’s becoming clear that 2019 is likely to be dominated by a single question: What are we going to do about it?

The easy answer is to wait — to allow the various investigations of Trump to run their course and ask voters to deliver a verdict in 2020. That answer has one great advantage. It would avoid the national trauma of overturning an election result. Ultimately, however, waiting is too dangerous. The cost of removing a president from office is smaller than the cost of allowing this president to remain.

He has already shown, repeatedly, that he will hurt the country in order to help himself. He will damage American interests around the world and damage vital parts of our constitutional system at home. The risks that he will cause much more harm are growing.

Some of the biggest moderating influences have recently left the administration. The defense secretary who defended our alliances with NATO and South Korea is gone. So is the attorney general who refused to let Trump subvert a federal investigation into himself. The administration is increasingly filled with lackeys and enablers. Trump has become freer to turn his whims into policy — like, say, shutting down the government on the advice of Fox News hosts or pulling troops from Syria on the advice of a Turkish autocrat.

The biggest risk may be that an external emergency — a war, a terrorist attack, a financial crisis, an immense natural disaster — will arise. By then, it will be too late to pretend that he is anything other than manifestly unfit to lead.

For the country’s sake, there is only one acceptable outcome, just as there was after Americans realized in 1974 that a criminal was occupying the Oval Office. The president must go.

Mr. Leonhardt then discusses reasons to impeach him. He has used the presidency to enrich himself, even making decisions favoring his business’s foreign customers. He has obstructed justice. He has subverted our democracy, just one example being his violation of campaign finance laws by directing the payment of hush money in at least two cases. 

Practically speaking, the next step is for the House of Representatives to form a committee charged with drawing up articles of impeachment. Holding hearings and confirming the president’s high crimes and misdemeanors would take some time. The time to start is now. 

So perhaps newly-elected Rep. Rashida Tlaib should have said “Let’s begin the process of impeaching the motherfucker” instead of what she actually said in that bar Thursday night. That would have been more precise. And I think we can all agree that calling him a “motherfucker” was too kind.

A Big Reason Why There Is a Monster in the White House

One of the 2016 election’s least reported stories was how a certain candidate benefited from starring in a “reality” TV show for the 14 years before he ran for president. The program was The Apprentice, sometimes known as Celebrity Apprentice. It was created and produced by a man named Mark Burnett, now the head of MGM Television. Burnett is the subject of an article in The New Yorker written by Patrick Keefe. Here are excerpts regarding the program’s star performer.

Trump had been a celebrity since the eighties, his persona shaped by the best-selling book “The Art of the Deal.” But his business had foundered, and by 2003 he had become a garish figure of local interest—a punch line on Page Six [the New York Post‘s gossip page]. “The Apprentice” mythologized him anew, and on a much bigger scale, turning him into an icon of American success…. [Mark Burnett’s] legacy is to have cast a serially bankrupt carnival barker in the role of a man who might plausibly become the leader of the free world. “I don’t think any of us could have known what this would become,” … a producer on the first five seasons of “The Apprentice,” told me. “But Donald would not be President had it not been for that show.”

Tony Schwartz, who wrote “The Art of the Deal,” which falsely presented Trump as its primary author, told me that he feels some responsibility for facilitating Trump’s imposture. But, he said, “Mark Burnett’s influence was vastly greater,” adding, “ ‘The Apprentice’ was the single biggest factor in putting Trump in the national spotlight.” Schwartz has publicly condemned Trump, describing him as “the monster I helped to create.” 

“The Apprentice” was built around a weekly series of business challenges. At the end of each episode, Trump determined which competitor should be “fired.” But … Trump was frequently unprepared for these sessions, with little grasp of who had performed well. Sometimes a candidate distinguished herself during the contest only to get fired, on a whim, by Trump. When this happened, … the editors were often obliged to “reverse engineer” the episode, scouring hundreds of hours of footage to emphasize the few moments when the exemplary candidate might have slipped up, in an attempt to assemble an artificial version of history in which Trump’s shoot-from-the-hip decision made sense. 

“The Apprentice” portrayed Trump not as a skeezy hustler who huddles with local mobsters but as a plutocrat with impeccable business instincts and unparalleled wealth—a titan who always seemed to be climbing out of helicopters or into limousines. “Most of us knew he was a fake,” [one of the show’s editors] told me. “He had just gone through I don’t know how many bankruptcies. But we made him out to be the most important person in the world. It was like making the court jester the king.” [One of the producers] recalled, “We walked through the offices and saw chipped furniture. We saw a crumbling empire at every turn. Our job was to make it seem otherwise.”

Trump maximized his profits from the start. When producers were searching for office space in which to stage the show, he vetoed every suggestion, then mentioned that he had an empty floor available in Trump Tower, which he could lease at a reasonable price. (After becoming President, he offered a similar arrangement to the Secret Service.) When the production staff tried to furnish the space, they found that local venders, stiffed by Trump in the past, refused to do business with them.

More than two hundred thousand people applied for one of the sixteen spots on Season 1, and throughout the show’s early years the candidates were conspicuously credentialled and impressive. Officially, the grand prize was what the show described as “the dream job of a lifetime”—the unfathomable privilege of being mentored by Donald Trump while working as a junior executive at the Trump Organization. All the candidates paid lip service to the notion that Trump was a peerless businessman, but not all of them believed it…. Fran Lebowitz once remarked that Trump is “a poor person’s idea of a rich person,” and [one contestant] was struck, when the show aired, by the extent to which Americans fell for the ruse. “Main Street America saw all those glittery things, the helicopter and the gold-plated sinks, and saw the most successful person in the universe,” he recalled. “The people I knew in the world of high finance understood that it was all a joke.”

This is an oddly common refrain among people who were involved in “The Apprentice”: that the show was camp, and that the image of Trump as an avatar of prosperity was delivered with a wink. Somehow, this interpretation eluded the audience. [An editor] marvelled, “People started taking it seriously!”

The show was an instant hit, and Trump’s public image, and the man himself, began to change. Not long after the premiùre, Trump suggested in an Esquire article that people now liked him, “whereas before, they viewed me as a bit of an ogre.” [A Trump publicist said] that after “The Apprentice” began airing “people on the street embraced him. All of a sudden, there was none of the old mocking. He was a hero.”

The show’s camera operators often shot Trump from low angles, as you would a basketball pro, or Mt. Rushmore. Trump loomed over the viewer, his face in a jowly glower, his hair darker than it is now, the metallic auburn of a new penny. (“Apprentice” employees were instructed not to fiddle with Trump’s hair, which he dyed and styled himself.) Trump’s entrances were choreographed for maximum impact, and often set to a moody accompaniment of synthesized drums and cymbals. The “boardroom”—a stage set where Trump determined which candidate should be fired—had the menacing gloom of a “Godfather” movie. In one scene, Trump ushered contestants through his rococo Trump Tower aerie, and said, “I show this apartment to very few people. Presidents. Kings.” In the tabloid ecosystem in which he had long languished, Trump was always Donald, or the Donald. On “The Apprentice,” he finally became Mr. Trump.

Originally, Burnett had planned to cast a different mogul in the role of host each season. But Trump took to his part more nimbly than anyone might have predicted. He wouldn’t read a script—he stumbled over the words and got the enunciation all wrong. But off the cuff he delivered the kind of zesty banter that is the lifeblood of reality television. He barked at one contestant, “Sam, you’re sort of a disaster. Don’t take offense, but everyone hates you.” … Producers often struggled to make Trump seem coherent, editing out garbled syntax and malapropisms. “We cleaned it up so that he was his best self … I’m sure Donald thinks that he was never edited… We didn’t have to change him—he gave us stuff to work with.” 

By the time Trump announced his campaign, ratings for “The Apprentice” had fallen, and the show had been repackaged as “The Celebrity Apprentice.” The contestants were now D-list celebrities… Still, everyone gamely pretended to take it seriously….

Burnett’s reluctance to discuss the Trump presidency is dismaying to many people involved with “The Apprentice,” given that Trump has succeeded in politics, in part, by borrowing the tropes of the show…. When Trump announced his candidacy, in 2015, he did so in the atrium of Trump Tower, and made his entrance by descending the gold-colored escalator—choreography that Burnett and his team had repeatedly used on the show. After Trump’s announcement, reports suggested that people who had filled the space and cheered during his speech had been hired to do so, like TV extras, for a day rate of fifty dollars. Earlier this year, the White House started issuing brief video monologues from the President that strongly evoke his appearances on Burnett’s show. Justin McConney, a former director of new media for the Trump Organization, told New York that, whenever Trump works with camera people, he instructs them, “Shoot me like I’m shot on ‘The Apprentice.’ ”

I asked [a psychologist] what kind of personality profile he might have prepared for Trump as a candidate for the show. He said he would have noted “the energy, the impulsiveness, the inability to articulate a complete thought because he gets interrupted by emotions, so when he speaks it’s all adjectives—‘great,’ ‘huge,’ ‘horrible.’ ” What made Trump so magnetic as a reality-television star was his impulse to transgress, … and it is the same quality that has made a captive audience of the world. “That somebody can become that successful while also being that emotionally undisciplined—it’s so macabre that you have to watch it,” he said. “And you keep waiting for the comeuppance. But it doesn’t come.”

There has likely never been a man who, in his own lifetime, has been as widely spoken and written about as Donald Trump. Politics has never been so spellbinding. “It’s the reason people watch a schoolyard fight,” [the psychologist said]. “It’s vicariously watching someone act out and get away with it.” Burnett once remarked that “Lord of the Flies” is so absorbing because all the characters are suddenly transported into a world in which “the rules are changed, and convention, law, and morality are suspended.” It’s an apt paraphrase of the Trump presidency.