The White Album by Joan Didion

The White Album is a 1979 book of Joan Didion’s essays. She wrote them between 1968 and 1978. They mostly chronicle her life in Southern California during that weird decade. Among the topics are a Doors recording session, a business that grows orchids, life in Malibu, how movies are made (it’s all about the deals and money), California’s water supply, the Hoover Dam, the women’s movement, Honolulu past and present, Georgia O’Keefe, Doris Lessing and the Manson murders. One of the topics she doesn’t write about is the Beatles’ White Album.

I’ve read quite a few of Didion’s books. She is a great writer. Sometimes I’ve had trouble understanding the point she is making. I didn’t have that problem this time. In the first few pages of the first essay, she explains her point of view:

We tell ourselves stories in order to live … We look for the sermon in the suicide, for the social or moral lesson in the murder of five. We interpret what we see, select the most workable of the multiple choices. We live entirely, especially if we are writers, by the imposition of a narrative line upon disparate images, by the “ideas” with which we have learned to freeze the shifting phantasmagoria which is our actual experience.

Or at least we do for a while. I am talking here about a time when I began to doubt the premises of all the stories I had ever told myself, a common condition but one I found troubling…. I appeared, on the face of it, a competent enough member of some community or another, a signer of contracts and Air Travel cards, a citizen… I made gingham curtains for spare bedrooms, … put lentils to soak on Saturday night for soup on Sunday, made quarterly F.I.C.A. payments and renewed my driver’s license on time…

This was an adequate enough performance, as improvisations go. The only problem was that my entire education, everything I had ever been told or told myself, insisted that the production was never meant to be improvised: I was supposed to have a script, and had mislaid it. I was supposed to hear cues, and no longer did. I was meant to know the plot, but all I knew was what I saw: flash pictures in variable sequence, images with no “meaning” beyond their temporary arrangement…

She made it through this especially disordered period, which lasted six years or so, but the fact that she went through it at all made it easier for me to understand her perspective on things. In these essays, she views the world from a distance, remarking on the interesting things she observes, some of which resist understanding. Shares her observations with us. It’s an excellent book.

Things That Bother Me: Death, Freedom, the Self, etc. by Galen Strawson

This is a book of nine essays by the English philosopher Galen Strawson. The essays aren’t technical. Two were originally published in the London Review of Books; two were published in the Times Literary Supplement.ย ย Oneย is a shortened version of a lecture given at Oxford University.

I don’t think death, freedom or the self actually bother Strawson. What bothers him are certain ideas people have expressed on those topics and a few others. The idea that bothers him the most has to do with consciousness.

What is the silliest claim that has ever been made? The competition is fierce, but I think the answer is easy. Some people have denied the existence of consciousness: conscious experience, the subjective character of experience, the “what-is-it-like” of experience. Next to this denial — I’ll call it “the Denial” — every known religious belief is only a little less sensible than the belief that grass is green [130].

As far as I know, no philosophers have ever denied that people are conscious of things like feelings. What some of them are saying is that consciousness isn’t what we think it is, and therefore, in some sense, it is an illusion or doesn’t exist. Strawson argues that no serious person has ever said anything asย silly.

Strawson also argues that we don’t have free will in the most important, meaningful sense; and that, as a result, we are never ultimately responsible for our actions.

Why does the dear old agent-self decide as it does? … The general answer is clear. Whatever it decides, it decides as it does because of the overall way it is. And this necessary truth returns us to where we started: somehow the agent-self is going to have to get to be responsible for being the way it is, in order for its decisions to be a source of ultimate responsibility. But this is impossible: nothing can be causa sui in the required way [i. e. “the cause of itself”]. Whatever the nature of the agent-self, it’s ultimately a matter of luck [105].

Another philosophical position Strawson argues for is that, as far as we know, all of reality may be mental in some sense. That’s because the most compelling evidence we have for what the universe is made of is what we are most aware of, and that is our consciousness. So he thinks rocks and other inert objects might be somewhat conscious too.

I should mention that some of the essays are more personal. Strawson rejects the idea that stories or narratives about ourselves are necessary to live a full life. He doesn’t view his own life as a story at all. He also thinks that the prospect of a painless death, even within the next few minutes, shouldn’t bother us, except for the effect it might have on other people. It’s not as if we lose anything by dying, since we never had a future something to lose (after all, we weren’t guaranteed that we’d live so many years or have certain future experiences). He ends the book explaining what it was like to be a teenager and a young man in the 60s and 70s when he attended Rugby School (the famous one founded 450 years ago) and Oxford. He traveled a lot and loved rock music and sometimes got into trouble. It was apparently good training for his future career as a philosopher.

The Battle of the Bands

Brian Wilson has a website. On that site, there are music lovers who have been playing a game for the past nine years. It’s called “The Battle of the Bands”. Someone posts videos for four songs. Usually there is a theme that ties the songs together. People then rank the four songs. They also post their own videos. There is discussion. It’s almost always very polite. Each battle lasts one week. You have to register on the site in order to participate. It’s free and nobody will bother you with annoying advertisements or solicitations. The whole thing is kind of fun.

Oh, one of the four songs has to have a connection to Brian Wilson or the Beach Boys. 

This week’s battle is called “It’s Over”. These are the four songs.

The Everly Brothers — “Crying inthe Rain” (1962). Co-written by Carole King.

The Miracles — “Ooo Baby Baby”(1965). Co-written, produced and sung by Smokey Robinson.

Neil Young — “Like a Hurricane”(1977). This is a live version from 1982. The studio version is equally long. 

The Beach Boys — “I Just Wasn’tMade For These Times” (1966). Co-written with Tony Asher. It’sthe end of innocence? optimism? faith in one’s fellow human beings?


In case you’d like to visit and maybe even participate, please go here.ย The people who do participate are very nice and will thank you for showing up.

(Plus, we rarely discuss politics. Although it’s sometimes hard to resist, considering the present situation.)

Ladies and Gentlemen, Our President

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He smiles at Putin and ignores global warming. He couldn’t be bothered to honor fallen American soldiers in France because there was rain in the forecast.ย 

More atย An Ingenious Device for Avoiding Thought.

Ladies and Gentlemen, Our President

Putin is a thug who has his opponents and critics jailed and murdered. He annexed Crimea. He interferes in elections, contributes to war crimes and has stolen millions, probably billions, from the Russian people. This is him arriving at a ceremony in France attended by our president and foreign leaders.

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Meanwhile, the global, man-made phenomenon that our president says is a hoax gets worse every year. Among the results: California has never had such terrible fires.

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