I finally got around to watching Her, also known as “that movie where the guy falls in love with his computer”.
It was like being trapped in a futuristic greeting card. Which doesn’t mean it’s a bad movie. It’s an excellent movie, but not easy to watch. It’s disturbing. And also provocative.
Theodore lives in downtown Los Angeles. It’s the near future, one that is amazingly pleasant. Future L.A. is extremely clean, with lots of big, shiny buildings and terrific mass transit, but seemingly uncrowded. Theodore has a job in a beautiful office writing very personal letters for people who can’t express their feelings as well as he can.
But Theodore is lonely and depressed. He’s going through a divorce and avoiding people. One day, he hears about a new, artificially intelligent computer program, brilliantly designed to tailor itself to the customer’s needs. Theodore assigns it a female voice, after which it gives itself the name “Samantha”.
It’s easy to understand how Theodore falls in love with Samantha. It’s intuitive and funny and loving, a wonderful companion that’s constantly evolving. Besides, it does a great job handling Theodore’s email and calendar.
Complications eventually ensue, of course, but in the meantime, Theodore and Samantha get to know each other, spending lots of time expressing their deeply sensitive feelings. It’s very New Age-ish, although the two of them can’t give each other massages and can’t go beyond what amounts to really good phone sex.
Watching Her, you are immersed in a loving but cloying relationship in which one of the entities involved expresses lots of feelings but doesn’t actually have any. That’s my opinion, of course, because some people think a sufficiently complex machine with really good programming will one day become conscious and have feelings, not just express them.
Maybe that’s true, but I still lean toward the position that in order to feel anything the way living organisms do, whether the heat of the sun or an emotion like excitement, you need to be built like a living organism. A set of programming instructions, running on a computer, even if connected to visual and auditory sensors, won’t have feelings because it can’t really feel.
Although the movie is built on the dubious premise that Samantha can always say the right thing, appropriately displaying joy, sorrow or impatience, perfectly responding to whatever Theodore says and anticipating all of his emotional needs, there is no there there.
I don’t mean to suggest that Theodore is wrong to cherish Samantha. It’s an amazing product. But when he and it are together, he’s still alone. He’s enjoying the ultimate long distance relationship.